‘In My Dead Moments’: George MacDonald’s Reflections on Life, Pain and God
I have long valued the writings of Victorian clergyman and author George MacDonald (1824-1905). I’m not alone! C S Lewis openly acknowledged: I have never concealed the fact that I regarded him as my master; indeed I fancy I have never written a book in which I did not quote from him. J R R Tolkien cited him as an influence. W H Auden valued him highly and wrote an Afterword to Macdonald’s fantasy novel ‘The Golden Key’.
MacDonald was friend and mentor to the young Lewis Carroll, who tried out sample chapters of Alice on MacDonald’s children. It was largely on the strength of their enthusiastic response that Carroll submitted his manuscript for publication, and the rest is history!
It is chiefly MacDonald’s fantasy novels and fairy tales that are still read today. As Lewis and Tolkien were to do after him, he found that by removing moral and spiritual truths from their usual context and relocating them in a different world altogether, they can be brought to life and shine with fresh revelation. “I write, not for children,” he wrote, “but for the child-like, whether they be of five, or fifty, or seventy-five.” This essay by Robert Trexler explores further MacDonald’s use of myth. See also Catherine Barnett’s perceptive piece, ‘Tolkien, MacDonald and the Cauldron of Story’.
But it is a very different work that I want to flag up here. At an uncertain date, following the deaths of two of his adult children, MacDonald produced A Book of Strife, in the Form of the Diary of an Old Soul. It is available for download here. So personal is it that he published it privately for his circle of friends, printed only on right-hand pages, so that the reader could make comments or notes on the other. It was made public only after his death.
MacDonald muses and wrestles with God in imagined conversations, set in 7-line stanzas, one for each day of the year. Stripped of easy answers by deep pain, he reflects upon God, crises of faith, the human condition, sickness, suffering and loss. The whole collection is intensely personal and rooted in the here and now, all myth laid aside.
Can anything go wrong with me?, I ask,
And the same moment, at a sudden pain,
Stand trembling. Up from the great river’s brim
Comes a cold breath; the farther bank is dim;
The heaven is black with clouds and coming rain;
High-soaring faith is grown a heavy task,
And all is wrong with weary heart and brain. [September 12]
This stands in the tradition of Christian mystical verse, and it is clear that MacDonald was a poet (esteemed, indeed, by Tennyson, Longfellow and Walt Whitman). The mystics sought to raise the profile of intuition, experience and desire in the process of faith. ‘Consolations’ and ‘desertions’ were their bread and butter. For MacDonald, trust and hope are never far away, however, and end up strengthened.
When I no more can stir my soul to move,
And life is but the ashes of a fire;
When I can but remember that my heart
Once used to live and love, long and aspire;
Oh be Thou then the first, the one Thou art.
Be Thou the calling, before all answering love,
And in me wake hope, fear and boundless desire. [January 10]